true story(ies)

He was a nice guy. You just had to get past the markings of autism across his face, the shocking things he would say, the cowboy hat, and the fact that he looked like a Chinese Tom Hanks. Also, I’d never met a Chinese man who hated rice. But here he was, and here we were, in his car on the way to the Halifax airport. Zheng was drawling in a tampered Texan accent about my roommate, so I kept steering the conversation away from the topic of my short, thin-in-all-the-right-places, thick-in-all-the-right-places roommate, because he would lean into a rant about her and miss the exit off the highway. Twice, we were halfway to Truro before I’d realized we were off course.

Finally, Zheng got into one of his stories. “So there I was, with Spider, pumping gas into, you know, my car. I love this thing, just taking care of it, right? Then this LADY comes up to me asking for directions. I tell her to go left and up a hill and down around something-or-other. But then she stops and stares at me and says…” he paused.

“I-DON’T-SPEAK-SPANISH.” His eyes went round at this point in the story, making the face she must have been making.

Let’s go back in time now. To a 15-year old Zheng, putting his hand into a potted plant in some airport in Texas after a long flight from China. No, let’s go back a little further than that. I want to start with how his parents met. She was a beautiful, well-educated, high ranking official in the height of communist China. At the time, they would pair the ups with the lows to breed something neutral, in the spirit of communism. So she was arranged to be married to an alcoholic, bush-man soldier. One-child later, Zheng was born, and grew up on the military compound where his parents lived. In the middle of the night, he would steal his dad’s car and drive around and around, “just thinking, you know?” and would never be found out.

His mother loved him, and must have sensed that her son was different. So there he was, in the Texan airport, really alone, for the first time. “Touching American soil, for the first time.” My understanding was that his mother would visit often to take him to the ballet, to the symphony, to the theatre. We found that we shared a love for Mendelssohn. His mother had sent him everywhere, and somewhere along the line, she found out that her son could take photos. A Forrest Gump moment for him. Every photo he took looked like the cover of a National Geographic. And we would finally get a glimpse of the bizarre travels they would take together. Twice to Tibet to work on a community project, and once to Mongolia. I think she was hoping that he would find true love in one of those remote, poor places.

Since he never did, she finally found him a wife. We all found out about it years later from his Facebook photo album of 143 professional photos. Cold photos of the couple holding each other under European arcs, a beach, 20 different wedding gowns, and stiff poses with fabric backdrops. There was Chinese Tom Hanks in a bow tie, with a woman that looked like a teenage starlet.

I sent him a message to congratulate him on his beautiful wife, but I never heard back. In the end, we did make it to the airport ok. I had budgeted an extra 4 hours of driving time.

under cover of the covers

i’m only a few inches from you
and the closeness overwhelms us for a moment
when your eyes flutter down
your cheeks are round and shy

all i can do is reach into the carpet of
curls that knot in the middle of your chest
and feel something emanating from the
strong, warm, fullness of you

you pull the sheets high above our heads in
an impulse, full of modesty
and under cover of the covers
i just bury my face, full on into the thicket

you are just shockingly hairy
but in here is a strange comfort found in
stuffed animals and shag carpets around my toes
in response, your arms wrap around me

and here, i think i’ll stay
for a long while, i think i’ll stay
right here, in the middle, here
with you, under these covers

peanuts

my belly is so full of peanuts.
watching the monstrous squirrels in
various states of constant panic
their janky movements finished with a
flourish of their plumed tails
the only differentiating feature between them
and mice

who’s schemes are perhaps more subverted
than these greedy obese squirrels.
slit them open and find some peanut sauce
roast the whole thing
and you’ve got a stuffed meat delicacy
singed off the hairs in a BBQ casualty.
you cheapskate, BBQ’ed a mouse instead

didn’t you?
i stink of peanuts.

shades of a warm spring

you’re full of words that plath would never pen
the steadiness of your step reveals
the weakness of my own ankles
hurts my brain as i anticipate the traps
but nothing ever snaps, fingers left unteethed

searching your face for hidden twitches or
indications of insincerity or disinterest
and we approach each other with a tired relief
our limbs clumsily sewn back on with hope
for another try, for another go

our newborn legs stumble towards each other
innocence drawn back to our cheeks
in shades of a warm spring
our arms pretzels for each other
for another try, for another go

lost in the garish sun

the blue and orange flood lights
light the crevices of the iron ship in shadows of pink
floating on the black water, waiting
like a disfigured, luminescent fish, baiting

blind and bodied in cloudy shades of grey
bellowing sullenly in sudden bursts of temper
slicing into the silence of past-midnight
the air shivers

billows of fog rise
like skirts lifted
and the night brings to light
things lost in the garish sun

fountain of youth

my face is taught for expectations
muscles held in certain places
smiles slipped for ladies’ graces
my voice is sandpaper smooth
and skin as dark as their dreams

but my heart’s spilled out across the bar
wondering at her youth, her glass skin
hiding mine gone behind my darkest glasses
and i just wanted to drink from
her fountain of youth

raking my hands through my hair
i reset myself and lifted myself out of the alcohol
but her unblinking eyes registered
that in the moment of transition she caught a glimpse
of me unbalanced of me

where do the birds go?

where do the birds go to die?

once, after the rain
i found one face down in an alley
a bloated mess of black feathers
shards of glass floating beside it’s body
glassy feathers picking up
the colours of the bluish white brick
walls climbing high with vines and fire escapes
the fat birds flew overhead in masses
blurred the upper city scapes with their
fluttering skittering messes
and i stood ankle deep in the puddle
scared of death, of sudden stillness

once, in broad daylight
i found a full wing, silvery feathers splayed
pointing towards the portuguese bakery
that it must have loved in life
downy feathers in the armpit
still intact, maybe still warm
further along the cement planks
the fat birds picked at the morning pastries
dropped by the tottering old, untroubled by the
fluttering skittering messes
wearing felt hats to protect their heads from
bombs of green and white filth

there must be a burial ground or sky
a hidden place where the birds go to die
or maybe the city workers are just quick to move
the equation itches my small brain…
shouldn’t there be about the same number of birds dead
to the ones living?
perhaps they’re experiencing a population explosion
the fat birds are too happy living without the wildcats
feasting on the shaky hands of our elders
fluttering skittering messes
maybe chewing on their own dead
their hard, glassy eyes untelling, unrevealing

tell me. where do the birds go to die?

dusty yellow

the fullness of the moon was hidden from me
glowing iron files gathered around a corner
of the house across the street
the windows lit from inside
night lights hall lights and bathroom doors

the shards of the moonlight creeping across the glass
dusty yellow seeping across the sky
time for me to curl up in bed
and turn off these lights inside
night lights hall lights and bathroom doors

speak a little louder

we were having dinner
when the dead started speaking to me
turned an ear towards him
asking him to speak a little louder
it’s been so long
since that mattress on his floor

and i turn back towards the other
wondering what they had to do with each other
warm smiles both and the same dark eyes
but this one looked at me
unsure and guarded and false and he
kept changing his face to some rhythm

then at night dreaming of visiting
another’s resting place with the changeling
he smiles at me because he should
taking the train through the snowy mountains
the sky falling in soft pieces through the trees
and i wonder what they’re saying to me

country girl cracks

like dust to velvet
toronto collected her, too.
she left the bluish mountains
and the velvet covered horses
to see what kind of magic
could be drawn out in this place
that magnified magnificents

then we found her hustling
face steamed red by the steel wands
frothing and heating and pouring
glyphs into our drinks
as we became dependant on her drug
chanting small-talk into our ears
we gulp desperately

like the caged armadillo, she was lost
lost in her routine rounds of
frothing and heating and pouring
the chanting began to split in two
as she balanced a voice in each ear
the bluish teeth that gripped her lobes
finally. tore her brain in two

toronto at 4:22

in this city with a solid sky
the day ages to a heather gray
strands of gold pearls begin
to drip over the bridges
as we make our way home for dinner

the buildings are glittering votives
stacked windows of light
downtown – a mound of crystal prisms
are mottled with foggy rosacea
under the aging sky

stop talking

there’s an older-ing man at the coffee shop
wringing his hands
he can’t stop talking
and his emphatic paper hands will occasionally
bounce off the table when he says his own name

the women politely turn their noses
back to their books
back to their coffee
in an effort to stem his rattling
he chokes instead of laughing

or he is laughing
and then his sentences begin to drift
like the ending of most songs
trying to escape himself
with another clearing of his throat

doubts

more than your glittering teeth
your balled up cheeks are my reward
and your tired eyes settle beneath
my skin they run through me

i don’t want you to see me
through the way you are about to
discover that i’m not
the bells, whistles or excitement

that my lewd lips promise
that my loud laugh suggests…
and maybe my saunter begins to disgust you
and maybe my kisses begin to smother you

and maybe you don’t think about me
the way i want you to
and maybe you don’t wait for me
the way i’ve waited for you

i’ve imagined the whole thing through
me and you
from the beginning that never knew
if your feelings were ever true

right to the ending where
you realized there was nothing rare
about my words, wit or wisdom
your time completely wasted

and i have fallen short
of your glory
wondering if i should stop
and let my dreams of you, go

a thief’s remorse

I cooled my cheek against the leather, getting a fat hug from the couch. The moment held, and then I let him join, fitting somewhere around my spine. We had met when he was still with the other: Eight years together, a house with a backyard and he had lied to her about not believing in marriage. Still now, I felt some guilt. She had held on to him, straight into the barren lands.

The fourth time we met, I caught him staring hungrily through our crowd of friends. His face floated above their shoulders in the dark and his jaw hung loose while he watched my shoulders move. My back was bare, and he was remembering the second time we met. A few of us had sat on the floor, drinking beer, taking a break and I was describing how delicious her honey tasted. He stared hard at the floor.

He never mentions her, but I wonder if she’s cursing me and damning me as I curl between his scrawny legs. He’s still tentative when he touches me. Always trying to gauge my mood. He’s so old. And so content with mediocre. His eyes ask me to touch him back, but I pretend that my cheek is too preoccupied with the leather to notice. The dog tries to join us, and I shoo him away using the wrong name. They’re so similar, I’m always confusing their names.

Even his good humoured chuckle is grating today, needy today. Between his short, knobby knees and searching hands. I was slowly suffocating and turning bitter. Secretly blaming him for the daily mundane. For my practical shoes and machine wash friendly clothes.

tired of swimming

can’t look at your eyes, really
always changing shapes and moods
you use them so freely
filled and glassy one instant
then wrinkled, taut with smiles
leaking of insincerity
a playfulness holding onto youth
long going, in bad taste
a smouldering gaze
with the fleeting heat of a match-head

how have i found you?
has my soul, weary of burning embers
found your light, wispy self
was i looking for a cool drink of refreshing?
a puddle to walk through
finally tired of swimming
but backstage
through the ropes and pulleys
i glimpse a restlessness
a long wandering that matches my own

your smile wavers for an instant
a hairline crack that lets me seep through
curiosity getting the better of me
i will see if there is enough room
for me to fill
for me to fill out
i’ll try not to dig too deep
you’re made of crinoline and tissue
the leather around your mouth is worn
and your eyes are coming loose

promise of life

the year thrashes as its life draws to an end
promises of snow revoked
slapped across our cheeks leaving red
& is blowing around pieces of trash instead

gnomes are replaced with three wisemen
holy faces drawn in sleepy meditation
their communion, their summit meeting
over the plastic lump with an angel face

they listen closely, ears tilted towards the baby
listening for a heartbeat
for the long awaited promise of life
year after year

the wise men have crawled out of their cellars
crept out of their sheds
arranging themselves protectively around
over the plastic lump with an angel face

without the stillness of snow
the pieces of trash plague them, this year
& the wind taunts their chipped paint
but they maintain their reverence and holiness

the fortress you’ve setup

you’re hidden behind the shelves you’ve boarded up
the fortress you’ve setup
and still your head is bowed

the windows are frozen this way
but the snow can’t stand the heat of your hands
and you melt my resolve

your spine is curved
shadows twisted stretched high across
cleaved to the reddish sunlight

and i part your hair to see
your small chin tucked behind bold eyes
suddenly fearless maybe cornered

your hinged arms swing forward
shoulders creaking and groaning
reaching out to hook the back of my neck

and i’ve fallen into your trap
swallowed into the hidden eye of the storm
my wings singed

robotics

peer into my mouth and see
no throat no veins just teeth
my voice, lacking strings or heat
powered by calculated infinity

i peel back my skin to search
for my heart, blood, warmth, for hurt
i hear it’s ticking, but it can’t be found
now my parts are scattered ’round

feel the whirring in my head slow down
my eyes have stopped blinking now
put me together again but this time
find my heart, my warmth, mine.

ask nots and say nots

the list of ask nots and say nots
are taped on our small mouths
we stare at our dinners
unable to open, to eat

your ears are still ringing
the machines are still whirring
your men are still whining
so we are silent for you

you come home singing
and they shut their eyes tight
i’ve ripped off the list of ask nots and say nots
but you don’t recognize my voice

so your singing gets louder
and their eyes shut tighter
i’ve said my piece
i’ve said my piece

type

found a lovely typewriter
nestled in a cluster of so many in the corner
this one had a tattered two toned tape
and i pressed out my name

it sounded like money
the jingling of metal coins and cash machines
paced in a steady rhythm of
lyrics and storytelling

shifted down to the red stripe
and the emergency and urgency it lent
to the month i chose to type
“june”

but it’s november
nearly the end of november
and we’re still waiting for the snow
it takes so long to come here

daddy baritone

a voice both familiar and not
deepened rich with baritoned notes
each word round in his mouth
and punched out like a steady march
all i can think of are the harmonies
made only for my ears
the stale smell of hymnbooks
which guided his voice down and further

today, he asks me how i like my new city
says i’m like a salmon fish
returning to my birth place
and gave me a little history lesson
about the who, who held me
when my mom had to rest her arms
“go have dinner with them”
maybe they’ll hold me again

i wonder how the cambodian women
are suiting him
wonder if they make him feel taller
and richer
his voice reaches me again and i know
and remember how he was so lonely
the awkward goodbye, a kissed apology
how we can all breathe now

for kaitlin

the world we watch
pours into the pools of our eyes
reflecting back in two repeated words
yours are ice and ice

the stark blue of them at first glance
reflecting the sky and the birds
but touch reveals
the tension of things held frozen

taut in one position
and there are no birds at all
rather you’re pinned enclosed
reaching deeper i can feel you struggle

hungry for warmth to break free
wanting to run across those fields you love
to feel rotation in the world you’ve circled
to move and to be moved

deeper still i search
and find your pulse warming
melting your eyes into rivers
and you’ve begun your spring

clean and empty

her cheeks are thick and papery dry
put your hand up to them and feel them crackling warm
shoulders come up high around her ears
her back is thick and strong
too big for her scrawny legs

his eyes are brown and watery
full of ropes and traps drawing you in with their pain
laughing full of chokes and coughs
hands are tough and strong
hanging low on his tall frame

her lips full and sad gulped him in
sucking his bones clean and empty
until he could give no more
detaching himself amidst the silent screaming
her lips bled in shock

he turned his eyes on her and let them set
quieting her killing her
till she was whimpering and begging
but there was nothing left
for either

for a girl

So you left me for a girl you call a woman
And I’m still repainting the walls of my heart
Yes, you left me for a girl you call a woman
Took you with her lips and hips and pink arms

Are her shoulders strong enough to hold you?
Does she know how to fight and love you?
Who’s going to know me like you do?
Turn around now and come back to me.

So you left me for a girl you call a woman
And before you could tell her, she left you
Yes, you left me for a girl you call a woman
Who didn’t know pain, just hungry gain

Were her shoulders strong enough to hold you?
Did she know how to fight and love you?
Nobody knows you like I do.
Turn back around and walk away from me.

too early

pick up those heels and keep walking
lift that chin and keep singing
you’ve got the whole way ahead of you
too early to be tired now

put some starch in your back
keep an easy stride
you’ve got the whole way ahead of you
too early to be tired now

the sun’ll be up again in the morning
the stars’ll cover you tonight
you’ve got the whole way ahead of you
too early to be tired now

i’m watching the prairie horizon
and listening for your boots
you’ve got the whole way ahead of you
can’t wait too long for you now

quiet promise

though you’re made of warmth
your eyes are made of glass
your smile stuck on top with a seamless adhesive
but my trained eyes can see

you hesistate behind the charming
i don’t blame you
i can’t

and my soul(s) lean(s) towards you
threatening to leave my body
marred and scarred sharkskin

once your shoulder held
the weight of my tiredness
and we, square pegs
found in each other a familiar crease

lilting lyrics
open the dry rivers to my heart
and i tell you i’ll wait
i never had a choice

now i’m trimming my wick
refilling my lamp almost ready
almost ready
almost

my last for you

the feeling i had
when you spat over your crossed arms
a neat little spot on the speckled sidewalk
and looked at me
without looking at me

the feeling i had
when we sprawled on the old carpet
the one i eventually ripped out
and it was too hot
but i put my head on your stomach anyway

the feeling i had
when i rang your doorbell twice
three times maybe and the windows were drawn
your neighbour watched me about to drive away
spilling away spilling

Just for a Time

Oh how you used to walk
With that insouciant smile
I liked to hear you talk
And your style
Pleased me for a while.

You were my early love
New as a day breaking in Spring
You were the image of
Everything
That caused me to sing.

I don’t like reminiscing
Nostalgia is not my forté
I don’t spill tears
On yesterday’s years
But honesty makes me say,
You were a precious pearl
How I loved to see you shine,
You were the perfect girl.
And you were mine.
For a time.
For a time.
Just for a time.

- Maya Angelou, And Still I Rise. 1978.

our new pet

their long nose wraps around my hand
& we walk together nose in hand

terry stands at 2.5ft
under that dense, thick fur
a small, lithe 50lb elephant’s
grand
grand
grand
grand

where did we find them?
in cozy groups of 15 to 20 somewhere
between this latitude
and the other
between this time
and another

terry followed us back
or the crumbs in our pockets rather
potent fragments of cheese crackers
traced back to our fingers
they like to hold

warm glossy curls now
smell of buttercups
in my bed to keep me warm
to move with my dreams
and converse in tongues
into the morning

the white-gloved delegates of the
municipal waste management
pass my driveway behind their sunglasses
no longer searching
sometimes questionning
wondering if i have a commercial worm farm

just terry
buttercup terry

angel choir

they say cellar door
i say angel choir
ringed talons sky searching
wind caught in the sails of her arms

they draw close to join
and lift their voices
in flawed perfection
above our comprehension

forever changing our molecular arrangement
their songs move
and still
controlling our pulse

lips moving in unison
casting nets over our heads
the angel choir
has us facing in one direction

abraham’s gaze

and it started with adam
who didn’t know that he needed an eve
until she walked past him
with those big jugs and florescent
blonde hair that had his eyes
dazed hazed and glazed over
like donuts

since that moment
he and his eve and his named animals
held their hearts and home together
in anticipation
of creating stars to scatter out into abraham’s gaze
as adam moves and grows older
his nose hairs grow longer
and his ears get furrier

popcorn spine

to start in mid conversation
and the realization that she hadn’t walked backwards
for an extended period of time
since gym class drills

she used to be able to run backwards
and to be held so hard
for the first time in a long time
so long that her spine crackled like popcorn

her chin didn’t know where to fit
in the sweaty scrawny neck
and freckles met briefly
eyes shone brightly

capturing moments
flashes of lighting and eruptions of laughter
she can’t even hear what you’re saying
but we’re hysterical now

for the blind fish

she had a bucket of stars
and walking around with a tube of paste
she would dress up the trees, rocks and desks
with a mess of stars left on her fingers

they glittered in her eyes
and you could find some in her hair
then the moon would come out and reflect
and refract their patterns across the sky

the caves she lived in were left
with residuals melted into stone
for the blind fish and blind bats
who could hear them humming

less exposed

equal press of ground to sky
and the heat rises in ribbons
laced with the sirens’ call of the trains
and peace resides

summer begins to leak away
into the ground into the water tables
heat induced irrationality
falling into wider intervals

feeling contained in thick wool
secured less exposed
come now autumn leaves
autumn rain i’ve missed you

past tense

in the corner of my eye
you watched me under the glare of
the prairie sun
half smile of you’re taken
i pretended to watch the road
and blushed under the sun
under your taken
and you squeezed my hand
that i took to turn the wheel
and then took you
so glaringly bright. we were
you and me

your voice floated through verbs
and nouns of me
the phone pressed to my ear
grasping onto the need
to be with me
3am and we whisper
purring and reassuring
i miss you too

going through and adding
past tense to our verbs
wishing that you still
needed me
and missed me too

cherry flesh

my blood runs thick in the morning
pushing hard swelling
ankles bruised and weak

keeping my eyes down to keep its pace
steady
to keep from the currents the swirling
close me up

cherry flesh settles in my fingertips
i’m congealing
and the light doesn’t make it through the curtain
of blistery

tongue chewed into gum
and wine flows
sour from overripe over-zealous
over you

songs of make-believe

find myself humming disney’s
epic songs of make-believe
so this is love
mmhmm mmhmm mmm
so this is love.

waiting to hear your voice
which comes for me one moment
pulled by unknowns the next
cats, smoke and ice
.but only happy cats

who waits for a monday morning?
you’ll be back at your desk
littered with sweet carcinogens
eyes glittering behind your goggles
and i wave like an idiot

we’re idiots
scrambling up the stairs
down the stairs again and covered
in dust and flushed
she watches us and smiles she knows

i don’t know anything
staring through the screen
can’t even pretend that i’m working
my forehead has left smears on your goggles
and you laugh. and i hear me laugh, too

a winnipeg summer

grinding along the gritty winnipeg streets
eating dust and chewing pipes
the bricks are turning to sand
and my skin’s cracked in half

the sky’s mouth sucks us in
towards the farthest point of deepest blue
no shadow or shade to hold on to
stark florescent glaring white

we’re all shades of grey in this light
veins quiver and shake under our skin
memories of frost and wind
not yet distant

our mouths hang open
and we swallow the heat whole
catching the flies and moths
that batter themselves dead against our teeth

treason

Why does my own heart begin to sabotage
The bliss and sweetness of new
Questions and darkens and anxiety obsessed
Have you noticed the panic in my voice?

I thought I knew how to swim and tread
But the currents in this water are unfamiliar
Struggling to control my feet but they’re
Gone from under me

Stinging from the weightier cold
My heart, stop treading stop swimming
Float again and grab the sunlight
Shay shay across the warm luminescent surface
And learn to trust again

in step

our shyness holds the words in our mouths
longer maybe that’s why they grow
but they start tumbling out of yours
given a few days warming

full of “rambly responses” you are
slowly some secrets fall out
and we’re becoming closer than our bodies
can press

pressing our heads together
when our words are finished
resting against each other
like people should

your cheeks take on a pink
that i can’t see in the dark
but warm mine
and we breathe together
in step so our hands don’t break

until the birds are singing

you turn around and press restart
takes me a second but i press play
and go along
with you through the orange-lit cobblestone

through a, b, c and d
we shuck off layers off layers
and then smile through, up to the half moon
surprised

at your hands
that belong on someone taller
strong but sweet for my knees
or the next by mistake

until the birds are singing
i can’t stop or leave
weaving in the knots of arms
and sleep

4 in “Series of 7s”

Scene 4
Length: 7 minutes
Location: Residential back alley
Lighting: Cloudy, mid-afternoon
Initial Camera Shot: Wide shot from behind
Sound: Mostly quiet

He’s walking the cat on a harness. The cat is resisting for the most part, and he’s just watching, tugging slightly. Unconciously persistant. They make slow progress down the alleyway. Eventually, he leans face-forward into a wall and presses himself against it.

He bursts into a run and chases the cat from behind. Then slows down to a slow walk and lights a cigarette.

3 in “Series of 7s”

Scene 3
Length: 7 minutes
Location: Bathroom – slightly scummy and very small
Lighting: Harsh fluorescents
Initial Camera Shot: Above the bathtub
Sound: Water running.

Steam obstructs most of the shot. He lays nude in the tub, arms, feet and face covered in flour. Water is pouring in from the shower head and abruptly cuts off after 1 minute. He foot plops back into the water and his breathing is slow. Eyes are wide open and staring at the showerhead. He rolls over to his side, away from the camera, face 2/3s in the water. Crumples into the fetal position. Lumps of flour begin to open up in the water.

Camera focuses on his spine moving w/ his breathing.
Phone vibrates in the background.

2 in “Series of 7s”

Scene 2
Length: 7 minutes
Location: Apartment Room – very minimal and basic, bare walls
Lighting: Natural light from the windows, stage right
Initial Camera Shot: Wide view of his living room
Sound: The furnace hissing or coffee percolating

He walks around in blue briefs and a white undershirt. He pours flour across his dark hardwood floor. Moves it in piles and lines and sifts through it with his hands.

Close Up: His arms pushing the flour across the floor. Rubs it across his cheeks. It catches slightly on the tear streaks from earlier.
Wide shot catches him sitting, side/back profile on the floor of his apartment.
Aerial shot shows an abstract pattern across his floor.
A cat enters the camera shot and moves around him and the flour. Natural light changes to a deeper blue.

1 in “Series of 7s”

Scene 1
Length: 7 minutes
Location: Urban centre, downtown
Lighting: Heavy clouds at about mid-afternoon
Camera Shot: From the hood of a car, looking into the windshield of a ’94 sedan, navy blue. Man in late 20′s, early 30s driving behind the wheel.
Piano Instrumental: i.e. a 7 minute version of Yann Tiersen’s Le Matin

He is wearing a heavy tweed coat. Leaning close to his steering wheel, held with both hands at 10 and 2:00. His eyes and his body are alert to the traffic, but his mind is wandering elsewhere. About 3 minutes into the music, tears begin to stream. The next four minutes sees various range of emotions across his face.

a morning in toronto

foolish

the shame of untamed children
stains on the carpet
unruly heart, please stop

impatience running high
too quick to speak
strings taut across my chest
my cheeks swell taste sweet

your cat smile
removed, amused, denying
three nights live in your breath
and I’m dying

too long

Taking out my earrings now
Welts rise up from their weight
Taking off my heels now
Easing my blisters and back pains

Thought I’d be with you now
Was waiting for some bait
Something to grab onto
To save my face

Rubbing off my makeup now
Into my sheets
My pillows between my legs
Between my teeth

a cold night

the smell of her apartment makes me hungry
my eyes skitter past the dishes
fermenting and fragrant
the lights flicker and fail
as we eat in the darkness
her leg shivers and shakes

wonderous

i break from the steely eyes
you hide beneath that “wonderous” smile
she takes me away from your warm chin
i can still feel on my shoulder
finding the knots
giving away the tension

we’re children hiding in adults
playing house, playing us
while i begin to get lost
holding onto my swelling heart as i turn away
from you, touching instead
curtains shifting the light

we move around each other carefully
dreams in our hair, voices still waking
as our thoughts are put to bed for the day
wrapping ourselves up separately
colder, for it
our breath, smoke and steam

suppressing chewing our lips
words dance to death in our mouths
holding back from staining
so that i can come back
to warm your gaze and smile with you
more wonderous smiles with you